The band Neutral Milk Hotel was way ahead of their time even as they disbanded. Their music is somewhat timeless, I guess you could say. Their album “In The Aeroplane Over The Sea” is still heralded as one of the better “indie” albums of all time. That is among the likes of Arcade Fire’s “Funeral,” which is a devastatingly good album. One song that particularly speaks to me, which I’m quite sure is the same for others, is “Oh Comely.” The song is a droning 8 minutes and change long. Yet, with every line the song becomes more strong and piercing.

I had heard Brand New cover the song around the internet, but hadn’t really paid much thought to it. I’ve always been a huge fan of Jesse Lacey’s emotionally charged vocals, so to hear him cover a song which conveys so many different emotions so greatly was a nice thing for me to experience. Then I saw them cover it live. I remember sort of freaking out in excitement. I text messaged my friend James as they began playing. It went something along the lines of “OMG I CAN’T BELIEVE THEY’RE PLAYING OH COMELY!!!” I was excited, to say the least. So much that I sound like a little girl now I reflect on it. Oh well, that shit was good.

I’m positive that the song can have different meanings depending on the person listening and their situation. That’s anything, though. As I said, the song speaks to me. I really enjoy it and how genuine both acts make it sound. I’d like very much to be able to witness it played live again. I’m not holding my breath, though.

Neutral Milk Hotel – Oh Comely

Jesse Lacey of Brand New – Oh Comely Cover

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Lately I have been having very eerie dreams. Almost surreal, almost lucid. They seem to have a recurring theme, too. When I say that, they generally include the same people with different situations.

One recurring topic is my grandfather. I was very close with him. I would like to think that I still am. Most in my family would say that I was his favorite. I don’t necessarily doubt this, I just think I cared the most. The dreams have been, as I said, almost surreal and lucid. Very strange. I miss him very much. He was a big part of my life – the closest thing I had to a real father. I think that I am very much like him.
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I remember the first time I saw Bright Eyes. It was in 2005 at the Nokia Theater in Grand Prairie. Their supporting acts were Airborne Audio and The Faint. Both were very good. It was a great show, and I still remember the majority of it.

The way they opened was unforgettable. Lights out, nothing could be seen. They created kind of an eerie (I use this word a lot I guess?) feeling amongst the audience. The lights come on, but only in violet. Still, not much was visible. The introductory song to Digital Ash In A Digital Urn, Time Code, began playing. It kind of played hand in hand with the opening of their set. Odd sounds, heavy breathing, enchantment. The song continues to commence, with the violet light getting brighter. Conor’s beginning lyrics come out, and the light gets bright enough to see the stage. There are many people on stage including two drummers with full kits. They begin the drumming and sound effects – all of the noise being created is mesmerizing. The song continues and works its way into the song that follows, which is Gold Mine Gutted. Both of these songs are favorites of mine by the band. I very much enjoyed the show.

Conor and Bright Eyes didn’t come back to Texas for two years. The second show they were a completely different band, but still very good. They played the majority of their Cassadaga album with an included quartet for good measure. I drank a lot of alcohol and reminisced about the first time I saw them.

I saw Conor at the Austin City Limits music festival about a year later playing with the Mystic Valley Band. It wasn’t near as good, but still enjoyable. Now I hear that Bright Eyes is writing new material. I’m excited.

This video is very similar to what I described, but two years later. I did not get my description of the show in 2005 based on this video, that is genuinely how I remember it.

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Late winter snowfall that caused 90% of the power in the city to go out. It is an eerie photo, but I like it. It says something to me.

The only lighting is that of a street light. When I stepped out, the light reflecting on all of the snow made it brighter than it should be.

Right Away, Great Captain! – Down To Your Soul

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I miss the solitude of summer drives. With the sun high and a long highway. No destination in mind, just driving. Windows down, of course – wind blowing everything around. Music screaming loud through every speaker with each song matching your mood. The heat enough to warm your heart, your soul.

Soon.

One of the more trippy videos I think I’ve ever seen belongs to Yeasayer’s new single “Ambling Alp.” Well, the song has been out for a few months but the album dropped yesterday. It’s a great album, too.

The song is great. I really, really like the production. I like the subtle, but sooper-dooper bass line. It’s a perfect touch. Plus with this new album, there is a lot less crooning than “All Hour Cymbals.” Some will like this, some won’t. I’ve even read a review saying it’s too poppy. Nope.

This video will melt your face.

Another great track from the album: Yeasayer – I Remember. I’d say it’s my second favorite.

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I mentioned a few days ago the fact that Jonsi is putting out a solo album soon. He released another track titled “Go Do” and it’s amazing. I don’t know how I feel about the video, but I get it. He has a parakeet on his shoulder. A parakeet.

If you go to Jonsi’s website you can see some “the making of” videos for the album. They play percussion on suitcases. Awesome.

There is a little bit of likeness in some of the loops used to the following video. I always found it funny/cute/maybe a little creepy:

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Every time I listen to anything, I always keep my ears open for different sounds. I like to dissect every element and mentally break down the track, so as to appreciate it more.

I also listen for sounds that have been copied, or sampled. I like to hear how producers can take creations from other musicians and manipulate them into their own work.

One I’ve noticed, though not the best example, has grown on me. It’s Kid Cudi rapping over a beat that uses a sample from Band of Horses’ “The Funeral.” People who listen to both artists regularly will notice the sample almost immediately…which is why I say it may not be the best example.

Kid Cudi – The Prayer

Band of Horses – The Funeral

Another one, and probably a very noticeable example, is Bill Withers’ intro to “Grandma’s Hands” being used as the predominant sample on Blackstreet’s “No Diggity.” This is probably one of the most obvious, but still used well.

Bill Withers – Grandma’s Hands

Blackstreet – No Diggity

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My living situation is kind of strange at the moment. I went from living alone to wanting to move someone in with me.

That fell through.

Now I’m looking at the possibility of moving back to Dallas because I love it there. I did whenever I lived there not too long ago, anyway.

It seems to be the sensible thing to do because I could be spending less living in a high rise downtown with a friend than I am living in my own house in Wills Point. Plus I’d be a lot closer to everything.

Decisions, decisions.

I woke up with Jonsi – Boy Lilikoi in my mind. Jonsi is the front man for the ever famous Sigur Ros. He is putting out a solo album in April that has hints at being fantastic. Plus he’s singing in English and not Icelandic/jibberish. That’s always a plus.

canvas

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One of the most sincere, soulful portrayals of any song I’ve ever heard. I can’t stress how much I mean that.

In listening, you can hear his heart and soul pouring out through his words. I found this in December, and someone just linked me back to it.

I realized again how amazing it was and how much it meant to me.

Mustard sings Creep from Rex Kramer on Vimeo.

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the Devil and God are raging inside me.

i always find myself listening to this album.  it is always relevant.

it has so many different intertwining themes.  there aren’t many times when i can’t relate.

love.

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